The Woodstock of Street Art in a 5-Story Museum outfitted in the Warhol-Faux creations of Thierry Guetta, AKA Mr. Brainwash.

This film is shaped by archival images: some intimate, captured by amateur camcorders, others anonymous, taken from surveillance cameras. The filmmaker (Dida, VdR 2021) makes them all his own, changing the tones of their colours, using them as a backdrop to narrate his biography as a pacifist enlisted to fight in the Balkan wars at the end of the 1990s.

It's the morning after - and four is a crowd. Couple Samantha and Peter negotiate a thoroughly modern and thoroughly awkward situation.

Toby the Pup, The Museum is only one of twelve cartoons produced and only seven still survive today. Created by animators Sid Marcus, Dick Huemer, and Art Davis. This cartoon is basically about a little dog who is a rather bad and cheeky museum cleaner. Not surprisingly, his boss is very impatient with him and urges him to keep cleaning. As the cleaner cleans, some of the things in the museum come to life.

The Museum is a film that observes, examines and ponders Israel's most important cultural institution, the Israel Museum. The film follows the visitors, observes the observers, listens to the speakers and descends to the storerooms, labs and conference rooms. The American museum director, the singing security guard, the Jerusalemite curator, the Haredi kashrut inspector, the Palestinian guide and the visitor who lost her vision are some of the characters that take part in a chain of activities which add up to the museum. For about 18 months director Ran Tal collected footage of the daily routine of the museum that seeks to both reflect and mold the Israeli legacy and culture.

A short film directed by Marlon Lara

Darren and Jodi are in the middle-of-nowhere Maine on their way to a funeral. The reason they never make it is simple: werewolves. As other wayward travelers end up in their own battles for life, a suspected killer with a werewolf-sized chip on his shoulder is hunting the beast. It takes a couple of kids, some drunken hunters, and an urbanite from California to confront the legend and decide who or what is responsible for the carnage.

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Michael Abbensetts’ first play for TV is a powerful, funny and shocking exposé of the racism faced by a black museum attendant in his place of work.

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